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WEB - The Rustlings of the Group Are Invented as They Slip Away © Marie-Pier Vanchestein-m

April 3rd >
May 10th 2025

At ELEKTRA Gallery

Tuesday – Saturday
12:00 – 5:00 pm

Free entrance

Opening

Thursday, April. 3rd
at 5:00 pm
[Read more]

Marie-Pier Vanchestein

The Rustlings of the Group Are Invented as They Slip Away

This installation features robotic benches that move together in space, following rules inspired by swarm algorithms. Through their movements, both programmed and unpredictable, the benches seek, through a common movement, to escape the gallery. The hum of their motors accompanies this attempt at emancipation, creating a collective murmur.

The artist explores how a group can exist and evolve in a given space. These exhibition benches, normally immobile and designed to invite viewers to sit, become active elements that interact, adjust, and constantly reorganize.

By playing with diversion and the principle of emergence, the exhibition questions our relationship with the structures that surround us. Can these benches truly break free from the framework that defines them? Through this poetic staging, the artist invites us to rethink the connections that unite a collective and the spaces it inhabits.

Exhibition produced as part of the Hexagram-ELEKTRA 2024 call for projects.

Photo credit: Marie-Pier Vanchestein

WEB-PhotoPortrait_Choix1.jpg

© Mathilda Rubio

Marie-Pier Vanchestein 

 

Marie-Pier Vanchestein is currently completing her Master's degree in Visual and Media Arts at the Université du Québec à Montréal. Her work has been exhibited over the past four years in group shows at the Espace culturel Georges-Émile-Lapalme at Place des Arts, Art Mur, the Galerie de l'UQAM, Fais-moi l'art, and the Centre de diffusion et d'expérimentation de la maîtrise en arts visuels et médiatiques at UQAM.


Her work is based, among other things, on “misbehaving” objects characterized by a kind of strangeness that challenges anthropocentrism, becoming an actor in social space. It is also rooted in critical design, which focuses on the creation of useless machines from a ubiquitous perspective: from this point of view, electronic objects are no longer considered only as “intelligent”, but they also “dream”. 

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Credits

Marie-Pier Vanchestein Original idea, design and production
 
Alexandre Castonguay Support and guidance
André Girard et Alexandre Castonguay Programming assisstance

Manufacturing assistance
Alexandre Bérubé Wood
Élise Brodeur-Magna Metal
Danny Glaude 3D Printing
 
Mechanics and prototyping
Robert Saucier Mechanics
Pierre Gaudet prototyping

ELEKTRA Gallery

Alain Thibault Artistic and General Director, Curator

Mathis André Communications Manager

Roxane Lafrance Mediation

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